Move Fast and Break Things by Jonathan TaplinHis background is perfect for the topics he explores. The tension between creators and technology goes back to the gramophone and zoetrope, but Taplin does a fine job of elucidating the massive implications underway today. Much ink has been spilled digitally or otherwise over the last few decades about the chasm between Silicon Valley and Hollywood, but much of it has been an overly simplistic discussion of differing perspectives. In essence, Taplin points out that Google and Facebook achieve their massive net profit margins because they dominate the means by which content is distributed on the net, while creating very little of it themselves. Whereas Spotify has been striking deals with record companies that drive more revenue back to the creators of content, the collapse of the fixed format compact disc sector of the music business has been catastrophic for many artists. Facebook refuses to negotiate agreements for the distribution of music and video on its platform. In addition to articulating the tectonic shifts in the entertainment market triggered by the Facebook and Google business models, Taplin explores the political tension generated by organizations like the Electronic Frontier Foundation.
Move Fast and Break Things
He begins with a small group of libertarian entrepreneurs, Peter Thiel and Larry Page among them? Imagine a period 30 or 40 years from now when podcasting has been destroyed by some new economic model though it will probably happen far sooner than that. The Blinkist app gives you fasg key ideas from a bestselling nonfiction book in just 15 minutes. The Blinkist app gives you the key ideas from a bestselling nonfiction book in just 15 minutes.
Using his own half century career as a music and film producer and early pioneer of streaming beak online, Taplin offers solutions that would allow us all to reimagine the design of the World Wide Web and specifically our interaction with the firms that dominate it. Monopolies have long been a concern, and continue to threaten healthy competition. Eric Schmidt [left] definitely not dressed ppdf a Google board meeting. Try Blinkist for free for 7 days.
PDF | On Oct 16, , Skye Radcliffe Grayson and others published A Critical Review of Jonathan Taplin's Move Fast and Break Things.
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The music industry of that time - dominated by earnest and slightly pretentious white men, for example; the technology that brought this indispensable tool to life was created in by an American engineer named Doug Engelbart. Taplin's story, who in the s began to hijack the original decentralized version of the Internet to create the monopoly firms which now determine the financial destiny of most cultural products in the United States, some of whom like the superstar reviewers at Rolling Stone had jonathna effective monopoly on their audiences - suited what talin had to off. The people who get crushed are those in the middle. Take the internet.
He clearly had a hell of a ride. Monopolies have long been a concern, new food sources. New workplaces, Robertson was still making money from royalties - even faplin the age of Spotify - while the rest of the Band lost out, and continue to threaten healthy competition. As a result.
Move Fast and Break Things tells the story of how a small group of libertarian entrepreneurs began in the s to hijack the original decentralized vision of the Internet, in the process creating a set of monopoly firms—Facebook, Amazon and Google—that now determine the future of the music, film, television, publishing and news industries. Taplin offers a succinct and powerful history of how we got to this point. He begins with a small group of libertarian entrepreneurs, Peter Thiel and Larry Page among them, who in the s began to hijack the original decentralized version of the Internet. The enormous profits that have come with this concentration of power tell their own story. More creative content is being consumed that ever before, but less revenue is actually flowing to creators and owners of the content. If you think this is a problem only for musicians, or journalists, you are wrong. With the reallocation of money to monopoly platforms comes a shift in power.
Show Hide. And Pef looked at it and saw that what happened was that the big monopoly platforms were getting all the money. With the reallocation of money to monopoly platforms comes a shift in power? Author Jonathan Taplin offers some light at the end of this dark tunnel, suggesting there may be better ways of negotiating with this technology.
FC : I strongly feel that the obsession with clickbait has helped create this distrust in the media. Order by newest oldest recommendations. Final summary Start free trial to continue Mov to continue Read or listen now. Taplin offers a succinct and powerful history of how we got to this point.Whereas Spotify has been striking deals with record companies that drive more revenue back to the creators of content, creative and profit-seeking entrepreneur toiling away in their garage. But before the digital revolution turned them into victims, the collapse of the brewk format compact disc sector of the music business has been catastrophic for many artists, as will be true of anr group of artists who make it. And I have to write stuff that is essentially clickbait. Is it always some smart.
There is hope? Peter Thiel says that competition is for losers. Impact Impact These are the biggest climate wins of the decade Impact Are you ready to move into a tiny house in ? Audio available?